Sunday, January 24, 2010

joaquin murieta: villian or hero?

Joaquin Murieta is vividly brought to life by the romantic, imaginative writing style of John Rollin Ridge. The nature of his essence is noble, generous and kind; however, racial prejudice spewed like venom from the Americans’ hearts and inflicted cruelty upon Joaquin and his beloved mistress on several occasions because of his Mexican origin. Throughout his novel, Ridge attributes Joaquin’s near death escapes, extraordinary victories and fearless pursuit of vengeance to an “invisible guardian fiend.” He intertwines the concept of Fate as though it is giving Joaquin permission to commit thievery and murder. Is he justified?

I found it interesting that Joaquin’s companion, Three-Fingered Jack, was almost always by his side. Their souls were as different as darkness and light. After Joaquin refused to take the ferryman’s money, Ridge wrote, “I mention this incident merely to show that Murieta in his worst days had yet a remnant of the noble spirit which had been his original nature and to correct those who have said that he was lost to every generous sentiment” (65). Yet, the passage I found to best illustrate Three-Fingered Jack’s character says, “He was in his element, his eyes blazed, he shouted like a madman and leaped from one to the other, hewing and cutting, as if it afforded him the most exquisite satisfaction to revel in human agony” (Ridge 133). The fact that Ridge kept these two so close together throughout their journey defines the core differences and their reasons to kill. Joaquin is on a quest for revenge for being wronged by his fellow man and Jack is enthralled by ruthless murder.

In this novel, it appears as though John Rollin Ridge is portraying Joaquin Murieta as a hero. He is above the ordinary criminal, with qualities and values that seem to be ‘superhuman.’ He is misunderstood in the purpose of his endeavor, but continues to fight for what he believes in until death. Although he leaves a path of bloody corpses and destruction everywhere he goes, he remains faithful to his ‘moral code,’ thus only killing people for the following reasons: if they have injured, wronged or betrayed him; if they are a source for monetary gain; to conceal his identity or whereabouts; for survival or protection. He often reprimands those (usually Three-Fingered Jack) that do not follow his own laws of moral conduct. For instance, when Reis kidnapped a fair, beautiful woman from her lover and mother, Joaquin was enraged and returned her home safely at once. This event depicted Joaquin as a heroic man, at least in the eyes of Rosalie, for “…she thanked him in a dignified manner for his noble conduct and told him that she respected him from the bottom of her heart, robber as he was” (Ridge 106). In another event in which he spared the lives of innocent men, they were “…showering blessings on Joaquin, who had become suddenly transformed into an angel in their estimation…” (Ridge 79). Joquain Murieta, although a criminal in the eyes of the governmental law, is illuminated in a glorious light by John Rollin Ridge (and narrator).

2 comments:

  1. I really enjoyed your comparison of Murieta and 3 fingered Jack. In my Engl 338 class last semester we discussed the concept of literary doppelgangers which are two characters that play opposite sides of the same coin. Their polar opposition is used to exaggerate attributes of a hero and of a villain though in reality only perspective determines who is a hero and who is a villain. This novel intends to create a hero from a bandit, to show Americans the opposite side of their coin, and in order to make Joaquin Murieta brave and noble and justified, he also had to cast a character (and keep him close by as you pointed out) who exemplifies the opposite of these things. Very interesting observations.

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  2. I would agree with Alli, Carissa: Three-Fingered Jack is a foil for Murieta and demonstrates Murieta's nobility by being more bloodthirsty than Murieta is.

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